Remarks: This short article first appeared in "Bunka
Okinawa" Vol.3 No.6 dated August 15, 1942, and re-appeared
as an appendix in the book "Chugoku Okinawa Karate Kobudo No
Genryu" written by Masahiro Nakamoto published on April 1,
1985 by Bunbukan.
I don't know when it was
changed, but "karate" is now written with letters as "Empty
Hand" instead of "Chinese Hand". Anyway, I am happy to know
that nowadays karate is popular all over Japan as a unique
Okinawan martial arts, and even it has been officially
recognized by Dai Nippon Butokukai (=Great Japan Fighting
Arts and Moral Association) as one of Japanese fighting
arts. However, without doubt, I am sure that the roots of
karate is in China. I suppose the prototype karate might be
modified in various ways in my home Okinawa, but I think it
is worth enough as we can see the evolution of karate which
was influenced by the uniqueness of Okinawan culture.
Therefore, maybe, it is not unreasonable to change the
letters of karate as "Empty Hand" instead of "Chinese Hand".
Anyway, this time I would like to tell you my private
opinion regarding, of course, karate as follows.
I
have heard that it is not sure but there is a martial art
called "Three Hand" in India. I don't know the original
Indian name. "Three Hand" is the direct translation of
Chinese language from Indian language. I suppose maybe such
a martial art was brought to China from India by Darma
during the Emperor Wu dynasty, and it became the origin of
Shaolin Temple.
It is very interesting for me that I saw the performance of
martial arts played by a Filipino youth when I visited
Hawaii last year. I was so impressed and very delighted to
find that there is a similarity in techniques between the
Filipino youth's martial arts and our karate. Regrettably, I
lost the notebook in which I wrote down the youth's name and
the name of his fighting arts in alphabets. I suppose it
might be kept somewhere else, so I still have a chance to
tell you the names if I find it.
I think Shaolin kungfu is a newly systematized fusion of
previously existent classical Chinese martial arts and
Indian martial arts. This opinion has not been proved yet.
We require more research on this hypothesis.
I have been practicing karate for a long time, but I have
not yet mastered the core or truth of karate. I feel as if I
walk alone on a distant path in the darkness. The further I
go, the more distant the path will become, but that is why
the truth is precious. If we go forward to find the truth of
karate by all our strength of mind and body, we would be
rewarded little by little and day by day. The truth is near
but hard to reach.
My friend, Mr. Jingyu told me the maxim as follows: "The
ultimate formula to the truth is no formula. If you wish to
master no formula, you have to master a formula. If you
master a formula and no formula at the same time, you can
transcend live and death." I suppose the ultimate formula to
the truth is Tao, the Way. I cannot understand this maxim
well, but sometimes I feel I understand it well. I think we
have to master "a formula and no formula", then we can study
karate in depth and get the truth of karate.
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All
goju ryu katas and application (bunkai) by sensei M.
Higaonna
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This is a miscellaneous essay
for which I have not prepared, so let me talk about another
subject.
As to karate styles, I hear there are two types, the
southern type and the northern type. In the aspect of
techniques, the southern type specializes in upper body and
hand techniques, so it has soft, gentle and quiet features.
It is defensive in the fighting. On the other hand, the
northern type specializes in lower body and leg techniques,
so it has hard and active features. It is aggressive in the
fighting. The former steps forward to thrust and steps back
to block. The latter steps forward to kick and steps forward
again to throw down an opponent. Of course both types
thrust, kick and throw down, but the point of view is
different each other.
Now I would like to tell you about "Heishu" or "Heishu Kata"
and "Kaishu" or "Kaishu Kata" to give some information to
those who study karate.
"Heishu" means fundamental Katas. Before entering the way of
karate, you have to develop your body and mind by doing
Sanchin exercise of Gojuryu.
I will explain in detail. You stand straight firmly with
stable stance of feet, and hands positioned properly,
breathing harmoniously, then you can feel Sanchin ecstasy.
It is a still version of Sanchin.
We
also have active version of Sanchin which has another name "Peppuren".
Usually we call Sanchin for both versions. Tanden (= a point
a couple of inches below the navel), the back of the head
and the buttocks are three focus points on which you have to
concentrate your attention during Sanchin exercise.
Brief instructions are the following. Tuck your chin in.
Lift the back of your head high. Focus on Tanden (= a point
a couple of inches below the navel) to charge with the
energy. Your buttocks should be tucked in. These three focus
points are not originally separated from each other, but
have inseparable relationship. In addition to them, there is
another focus point: the middle point between the eyebrows.
I have heard that principles of Zen and other sitting
meditations are the same as Sanchin.
When I see karate-do in Okinawa, I think we tend to pay too
little attention to "Heishu Kata" such as Sanchin. What do
you think of this? Therefore, even if I see your best
performance of "Kaishu Kata", I would not be satisfied with
it and I feel something is lacking for perfection, as you do
not have a stable and fundamental base powered by Sanchin.
Hearing my opinion regarding "Heishu Kata" or Sanchin, Mr.
Jingyu, my friend told me an interesting story as follows.
"I" in the story is Mr. Jingyu himself, not me.
"Although my knowledge is limited, but I heard the following
about so-called the South style Chinese paintings namely the
paintings of the South Zong dynasty, and the paintings of
the North Zong dynasty.
Strong and vital strokes of paintings are the
characteristics of Li Si-Xun who is believed to be the
founder of the North style Chinese paintings. I feel
strongness and toughness as steel when I see his favorite
painting technique called 'Cut by Large and Small Axes'.
On the other hand, pure and gentle strokes of paintings are
the characteristics of Wang Wei, the founder of South style
Chinese paintings. His painting way is called 'the Classic
Style of Playing with Threads'. They say that Mr. Wang Wei
is on a vegetarian diet and never eats meat, so his works
reveals auras of tranquility and purity. It is not
exaggerate to praise that Mr. Dong Qi-Chang calls him the
King of Paintings.
According to a certain book, the difference of both styles
is derived from the different natural environment of the
Yellow River valley in the north and the Yangtze River
valley in the south.
Also according to a certain man who traveled around China
for a long time, the difference of the North paintings and
the South ones is derived from the different character of
each natural environment. In short, the South style of
painting is idealism, light, flexible, gentle and quiet. On
the contrary, the North style of painting is strong, solemn,
magnificent and dynamic.
If we apply it to Chinese fighting arts, it is completely
coincident with each other. I think it has some hints."
The writer really agreed with Mr. Jingyu. He continued the
story as follows.

"I think the relation between 'Heishu' and 'Kaishu' in
karatedo is similar to the relation between the square style
of writing Chinese letters and the cursive style of writing
Chinese letters in the calligraphy, the Way of Writing. 'Heishu'
is 'the square style', while 'Kaishu' is 'the cursive
style'. The square style of writing is quiet and calm, while
the cursive style of writing is active and dynamic.
Therefore, obviously we can see which one is the
fundamentals. It is also clear that we should go forward
step by step from the fundamentals."
Again, I nodded and completely agreed with him. I think all
the arts originated from the same roots and have the same
Way.
At the end of this essay, I will give you a phrase which is
quoted from the famous book "Bubishi" or "Wubeizhi" written
by Mao Yuan-yi in the late Ming era, in which he commented
on the martial arts by taking examples of calligraphy and
horsemanship.
"If you master how to stroke Chinese letters, then I can
teach you all the techniques of calligraphy. If you master
how to take the saddle, then I can teach you all the
techniques of horsemanship."
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